2025 IPCoM's participants
Clicking the link under each participants' presentation opens the submitted poster.
Inhaltsverzeichnis
Texas State University Presenters
Category: Bachelor Students
Teron Smalls: A Descent into Darkness: The Black Experience in America Explored through the Album “Unreal, Unearth” by Hozier (2023)
Evan Flores: African American Impact on Heavy Metal and Its Audience Divide
Ian Vonderharr: Using Folk Music to Facilitate Second Language Learning: A Pilot Study
Jesse Flynn: From Code to Culture: How Algorithms Shape Representation of African American Music
Cayle Kelley: Jhené Aiko’s Music for the Mind: The Technological Spread of Healing
Jennifer Leal: How Artists’ Deaths Influence Drug Usage
Category: Master's Students – Term Papers
Hayoung Lee: Nurturing the Fifth Finger: Pedagogical Strategies for Young Pianists
Kelly Kai Li Yong: Ragtime Reimagined: William Bolcom’s “The Garden of Eden” (1969) and the Art of Musical Synthesis
Category: Master’s Studenrs – Based on a Master’s Thesis
Cristian Ivan Moreno: “Sincerity is Scary”: A Metamodern Approach to Popular Music in the 21st Century
Johannes Gutenberg-Universität Mainz Presenters
Category: Bachelor Students
Adrian Leppla: Arnold Schönberg and Wassily Kandinsky. Different Arts, but Shared Ideas
Lena Stojšić: Fanny Hensel's Sunday Matinees – An Act of Emancipation? A Historical Recontextualization
Lucas Mathäser: The Missa Papae Marcelli in Carl von Winterfeld‘s Palestrina Biography (1832)
Category: Master’s Students – Term Papers
Jonas Oelze: Making songs in the GDR
Michael Schubert: Johannes Brahms’ Double Concerto Op. 102 Through the Lense of His Piano Trios
Category: Master’s Students – Based on a Master’s Thesis
Leonie Krempien: Staging Anxieties, Staging the Nation. A Cultural History of English Dramatick Opera, c. 1660–1710
Sophia Renz: Algorithmic Rhythms from Juggling Patterns to Sound Sequences