IPCoM's participants in the order of their presentations
[clicking the link under each participants' presentation opens the submitted poster]
- Blaire Curley, Texas State University (Bachelor's student) – Whitey on the Moon!
- Meike Roth, Johannes Gutenberg-Universität (Bachelor's student) – The Genius Palestrina. Romantic Tendencies and Rhetoric in the Restorative Church Movement of 19th Century Munich
- Garrett Douglas, Texas State University (Master’s student) – Revisiting the Life and Music of Julia D. Owen (1868-1964): Composer and Educator
- Carrington Langston, Texas State University (Bachelor's student) – K-Fusion: How the Fusion of K-Pop and African-American Popular Music Influenced the Generation
- Lea Meret Beck, Johannes Gutenberg-Universität (Bachelor's student) – The premiere of Fanny Hensel’s Overture C Major and the revival by Elke Mascha Blankenburg
- Breanna Plummer, Texas State University (Master's student) – Listening Deeply: The Expanding Soundscape of Pauline Oliveros
- Harrison Chang, Texas State University (Bachelor's student) – How Hip-Hop Has Aided the Growth of Baseball
- Nena Kolmer, Johannes Gutenberg-Universität (Bachelor's student) – Pinned down Butterflies. Women’s history in Meiji Japan on the example of Cio-Cio-San
- Memorie Schultz, Texas State University (Master’s student) – Frescobaldi’s Fiori Musicali and Its Significance for Bach’s Clavierübung III
- Felix David Kuhl, Johannes Gutenberg-Universität (Bachelor's student) – Aiblinger – A “true” Cecilian Composer?
- Kierstun Miller, Texas State University (Bachelor's student) – Seo Taiji (서태지) and Boys’ First Album: The Influences of African American Pop
- Nora Elisa Wintzen, Johannes Gutenberg-Universität (Master’s student) – Smack My Bitch Up. An Analysis of the Music Video of the „Most Controversial Pop Song of All Time“
- Carson Palmer, Texas State University (Bachelor's student) – Minstrelsy to Broadway: How African Americans Influenced the Industry